Posts
R-HKBP Jakasampurna
Posted On Friday, December 19, 2008 at at 3:22 AM by Yudhi HutadjuluRemaja HKBP Jakasampurna Live In Concert
Remaja HKBP Jakasampurna Live In Concert at Jully 23rd, 2005.
Real Title : Sing Unto GOD - G F Handel
(Konversion to Batakness Language : Endehon Ma Debata) Read More ...
Music Scores
Posted On at at 1:17 AM by Yudhi HutadjuluFOR SALE Music Score on Number Notation
Kind of Song for Choir/Chorus, Folklore and Popular Song.
Folklore:
1. Yamko Rambe Yamko
From Papua – Indonesia
2. Tari Bali
From Baliness – Indonesia
Popular Song:
1. Payung Fantasi
Song by Ismail Marzuki
2. Bunda
Song by Melly Goeslaw
If you wan to buy one or more, you can put your email on this comment
Grandiosso Chorus
Posted On Monday, December 15, 2008 at at 1:51 PM by Yudhi HutadjuluMonday, 24th November, 2008
Church Services at HKBP MENTENG
Title Song :
1. Why oh Why My Soul
2. Surgoi Sambulonta do i Read More ...
Ranking Final Round
Posted On Sunday, December 14, 2008 at at 10:28 PM by Yudhi HutadjuluChristmas Choir Festival at Mal Ciputra Jakarta :
December 14th, 2008
Interpretation of Music
Posted On Friday, December 12, 2008 at at 9:18 PM by Yudhi HutadjuluMedia of Music is Sound and Kept Quiet
According To Karl Seashore:
Music is glamor of soul, representing appliance able to make happy us, sorrowful, motivated is patriotic, compunction and full of expectancy, even can make us impressing lift mind and also our memory bounce up highly, so that our abysmal emotion ourselves, impressing waving in free sea (Seashore, 1987)
Music happened from sound and kept quiet and that sound organization yield sound and kept quiet musical, very humane (evaluated from harmonic structure, patterns and rhythm of textural. Its result represents mirroring of expression feeling of human being. Music is mirroring of beauty of valuable and natural (Elliot, 1995)
Reimer have a notion that music which consist of sound and kept quiet, have to be supported by other elements that is element of rhythm, melody, harmony, texture, tempo and form which in tidy also by quality element of which consist of intensity and timbre or sound volume (Elliot, 1995)
Through careful perceive every sound alliance and element inwrought hence heard music by totally in the form of sound influencing soul and emotion and also its hearer marrow.
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Music happened from sound and kept quiet and that sound organization yield sound and kept quiet musical, very humane (evaluated from harmonic structure, patterns and rhythm of textural. Its result represents mirroring of expression feeling of human being. Music is mirroring of beauty of valuable and natural (Elliot, 1995)
Reimer have a notion that music which consist of sound and kept quiet, have to be supported by other elements that is element of rhythm, melody, harmony, texture, tempo and form which in tidy also by quality element of which consist of intensity and timbre or sound volume (Elliot, 1995)
- Sound and kept quiet to yield rhythm. Rhythm consist of with regular rhythm subdividing and repetition (meters or birama) and rhythm without meter
- Sound consist of owning height there also without height of tone
- Rhythm and tone yield melody with formation of horizontal
- Tone formation in vertically mentioning harmony
- Tone formation harmoniously and also melodies yield music texture
- Sonic velocity referred by tempo, stable and also not stable
- Design music form referred or form music; like song form of AB AB, Sonata form
- Quality of sound consist of sound color or tone color strength and or sound intensity
Through careful perceive every sound alliance and element inwrought hence heard music by totally in the form of sound influencing soul and emotion and also its hearer marrow.
Rewriting to Number Notation
Posted On Tuesday, December 9, 2008 at at 12:53 PM by Yudhi HutadjuluProviding service to rewrite music score into number notation
For example : ( JPEG )
Music History
Posted On at at 12:51 PM by Yudhi HutadjuluWhen we explore Medieval music, we are dealing with the longest and most distant period of musical history. Saint Gregory is credited with organizing the huge repertory of chant that developed during the first centuries of the Christian church, hence the term Gregorian chant. He was pope from 590 to 604, and the Medieval era continued into the 1400s, so this period consists of almost a millennium's worth of music.
One of the principal difficulties in studying Medieval music is that a system for notating music developed only gradually. The first examples of musical notation date from around 900. For several centuries, notation only indicated what pitch (or note) to sing. The system for notating rhythm started in the 12th or 13th century.
Gregorian chant is monophonic, meaning music that consists of only one melodic line without accompaniment. The beauty of chant lies in the serene, undulating shapes of its melody. We do not know who wrote the melodies of Gregorian chant. Like folk melodies, the music probably mutated as it was passed down through generations and eventually reached its notated form.
Polyphony, music where two or more melodic lines are heard simultaneously, did not exist (or was not notated) until the 11th century. Unlike chant, polyphony required the participation of a composer to combine the melodic lines in a pleasing manner. Although most Medieval polyphonic music is anonymous--the names of the composers were either lost or never written down at all--there are composers whose work was so important that their names were preserved along with their music.
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One of the principal difficulties in studying Medieval music is that a system for notating music developed only gradually. The first examples of musical notation date from around 900. For several centuries, notation only indicated what pitch (or note) to sing. The system for notating rhythm started in the 12th or 13th century.
Gregorian chant is monophonic, meaning music that consists of only one melodic line without accompaniment. The beauty of chant lies in the serene, undulating shapes of its melody. We do not know who wrote the melodies of Gregorian chant. Like folk melodies, the music probably mutated as it was passed down through generations and eventually reached its notated form.
Polyphony, music where two or more melodic lines are heard simultaneously, did not exist (or was not notated) until the 11th century. Unlike chant, polyphony required the participation of a composer to combine the melodic lines in a pleasing manner. Although most Medieval polyphonic music is anonymous--the names of the composers were either lost or never written down at all--there are composers whose work was so important that their names were preserved along with their music.
Romantik Period
Posted On at at 11:56 AM by Yudhi HutadjuluComposers of the Romantic period were not restricted as in previous periods, and sought to express emotion freely through tone color and other means. Composers sought to express sensuous beauty and tonal enchantment. In view of the Composers’ concerns with expression and textural aspects of the music, School F is the only avenue of thought that stresses the importance of these matters. The concepts of diction as set forth in School D are often applicable to music in a homo phonic style. The Principles of School A, however, with its emphasis on full, weighty, and vibrant tone is applicable for use with such monumental works as the final movement of Beethovven’s Ninth symphony, where strength of voices is needed to balance the forces of the full orchestral sound. The tone of School A is appropriate for a number of other large choral / orchestral works as long as it is not overdone. For all such works, however, the premises of tone quality of School F should be carefully considered and applied.
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Renaissance Period
Posted On at at 11:54 AM by Yudhi HutadjuluThe masses and motets of the Renaissance are restrained in nature and should be performed as a prayer unto God. The tone quality should be kept light an clear, with a minimum of vibrato. A heavy dramatic voice quality and excessive vibrato is totally formulated by F. Melius Christiansen is most appropriate for this style of music.
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